George Ybsrra Art Director World Food Wine Festival Poster
Jochen Lempert
Paare / Pairs
2022, English / German
Softcover, 112 pages, 21 x 29 cm
Published by Roma / Amsterdam
$69.00 - In stock -
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Jochen Lempert's photographs begin with an encounter: his meeting with plants and animals, real or artificial representations in urban or rural settings, museum displays, scientific books, and more. The resulting images display a sure ease, a proximity that speaks to his comfort around his subjects. Rather than applying his scientific knowledge to what he photographs, he visually invites meaning through the act of seeing. 'Pairs' appears with an exhibition of Lempert'south piece of work in Frankfurt am Main, curated by Yasmil Raymond and Deborah Müller. The juxtapositions in this series might be two pictures of the same discipline, a pair of animals, or visually evocative matches.
Jochen Lempert
Phenotype
2013, English
Hardcover, 348 pages, 27.5 10 20 cm
1st Edition, Out of print title / used / very expert
Published by Walther König / Köln
$500.00 - Out of stock
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Now exceptionally rare and collectible, Phenotype is the first comprehensive monograph on the biologist Jochen Lempert, who has worked as a photographer since the early 1990s.
Since the early 1990s, the German photographer and biologist Jochen Lempert (born 1958) has used analogue, black-and-white photography to convey his gently reverential vision of nature and sentience—whether that of animals, plants or humans. Frequently grainy, sometimes verging on brainchild, and sometimes focusing minutely on the activity of some tiny beast, his photographs exude a simple pleasance in fleeting tranquility. Lempert has also taken a quietly particular stance on the presentation of his work: in exhibitions, his images are presented unframed and tacked up on walls, and his books (among them Recent Field Piece of work and Coevolution) are ever immediately identifiable for their small-scale but exquisite design, printing and newspaper. Standing this tradition of gorgeous bookmaking, Jochen Lempert: Phenotype reproduces 450 of his works, most of them bundled in groups and sequences, from more than than 20 years of artistic product.
Published on the occasion of the exhibition at Hamburger Kunsthalle Gallery of Gimmicky Fine art, 22 June – 29 September 2013.
Very Practiced re-create, lite tanning to spine.
The Passive Vampire
by Ghérasim Luca
2022, English
Softcover, 140 pages, 17 x 20 cm
Published by Twisted Spoon Printing / Prague
$39.00 - In stock -
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Originally published in 1945 by Les Éditions de l'Oubli in Bucharest, The Passive Vampire caught the attention of the French Surrealists when an extract appeared in 1947 alongside texts by Jabès and Michaux in the mag La part du sable. Luca (1913—1994), whose piece of work was admired past Gilles Deleuze, attempts here to transmit the "shudder" evoked by some Surrealist texts, such as André Breton'southward Nadja and Mad Love, probing with acerbic humor the delicate boundary betwixt "objective risk" and delirium.
Impossible to define, The Passive Vampire is a mixture of theoretical treatise and breathless poetic prose, personal confession and scientific investigation — it is 18 photographs of "objectively offered objects," a category created by Luca to occupy the space opened upwards by Breton. At times taking shape as assemblages, these objects are meant to capture chance in its dynamic and dramatic forms while illuminating the nigh continual equivalence betwixt our honey-hate tendencies and the world of things.
Ghérasim Luca is a swell poet, among the greatest: he invented a prodigious stammering, his own.— Gilles Deleuze, Dialogues
Paris, When It's Naked
by Etel Adnan
1993, English
Softcover, 115 pages, xiv x 20.iii cm
Published by Post Apollo Press / US
$44.00 - In stock -
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Etel Adnan's novel PARIS, WHEN IT'Due south NAKED amazes our retinas, ears, lips, fingertips, and noses with sensing, talking, and envisioning the city of Baudelaire and Delacroix, Mallarme and Picasso, Sartre and Djuna Barnes, Miller and Nin, Vietnamese and African refugees, revolutions and Bohemia. This tale of the Creative Now is told through the fine-tuned sensibility of Etel Adnan, the expatriate poet-painter who knows the French Capital as wholly as she does Beirut and San Francisco, her other homes. She is as well the author of SITT MARIE-ROSE, an underground novel of the Lebanese Civil State of war, and many books of poesy. Her new work is a philosophically charged lyric in prose. The elan vital of every word evokes the eternal nowadays of this wise adult female. A highly personal, life-enhancing masterpiece in a deathly historic period of impersonality.
An indespensable volume by an indispensable writer — Morgan Gibson.
Visions of Excess : Selected Writings 1927-1939
past Georges Bataille
1985, English
Softcover, 304 pages, 23 x xv.2 cm
Published past University of Minnesota Press / Minnesota
$68.00 - In stock -
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Since the publication of Visions of Excess in 1985, there has been an explosion of interest in the piece of work of Georges Bataille. The French surrealist continues to be important for his groundbreaking focus on the visceral, the erotic, and the relation of society to the primeval. This collection of prewar writings remains the volume in which Bataille's positions are most clearly, forcefully, and obsessively put forrard.
This book challenges the notion of a "airtight economy" predicated on utility, production, and rational consumption, and develops an alternative theory that takes into account the human being trend to lose, destroy, and waste product. This collection is indispensable for an understanding of the future too every bit the past of electric current critical theory.
Edited by Allan Stoekl
Translated by Allan Stoekl, Carl R. Lovitt, and Donald Thou. Leslie Jr.
Introduction by Allan Stoekl
Georges Bataille (1897-1962), a librarian past profession, was founder of the French review Critique. He is the author of several books, including Story of the Eye, The Defendant Share, Erotism, and The Absence of Myth.
Allan Stoekl is professor of French and comparative literature at Pennsylvania Land University and author of Agonies of the Intellectual.
Hermann Nitsch
Atlas
2018, English
Softcover, 224 pages, xvi 10 24 cm
Published by A+m Bookstore / Viaindustriae
$60.00 - In stock -
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This book looks at the work of Austrian advanced artist Hermann Nitsch, especially his ritualistic and existential "public aktionen" under the Orgies Mysterien Theater. Presented through the documentation of these events as they were recorded (scored, directed, written down, photographed, published, and reported), this archiving method explores Nitsch'south performative practice, both in terms of how the performance is organised and by what means the arrangement is effected past the original and primary scripts the artist prepared for his own actions. The book includes detailed materials, among them images, sketches, texts, staging, choreography, audio, and music.
HR Giger, Mire Lee
2022, English language
Softcover, 142 pages, 24 x 33 cm
Published by Tina Kim Gallery / New York
$110.00 - In stock -
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Published to back-trail an exhibition bringing together the worlds of the late Swiss visionary Hans Ruedi Giger (1940–2014) and Southward Korean artist Mire Lee, at The Schinkel Pavillon, Berlin, September 18, 2021–January 2, 2022, this volume beckons towards the darkest aisles of the man body and psyche. Both artists deal in biomechanical phantasmagorias of human being and car forms combining in an indissoluble whole, a constant metamorphosis between the stages of turn down and resilience, hopelessness and ability, animalism and revulsion, male and female – thus emblematic of the polarities of our own existence. With texts past Agnes Gryczkowska, Charlie Play a trick on, and McKenzie Wark and conversations between the artists and Hans Ulrich Obrist.
The Living Museums — Albini, BBPR, Lina Bo Bardi, Scarpa
Edited past Orietta Lanzarini
2021, English / Italian
Softcover, 272 pages, 17 10 24 cm
Published by Nero / Rome
$59.00 - In stock -
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The book offers an analysis of four museums past architectural historian Orietta Lanzarini, built between the 1940s and 1960s, and conceived by four of the almost groundbreaking Italian architects of the 20th century. With dissimilar approaches and strategies, Franco Albini, BBPR, Lina Bo Bardi and Carlo Scarpa rethought and redesigned the Second World War's museums and their purposes. Despite their intrinsic differences, the four case studies show how all these architects' projects sought to achieve ii common purposes: to brand fine art education attainable to everyone and to highlight the value of history in building the nowadays.
QUEER FORMALISM: THE RETURN
past William J. Simmons
2021, English language
Hardcover, 88 pages, 12 10 17 cm
Published by Floating Opera Press / Berlin
$36.00 - In stock -
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Queer Formalism: The Render expands upon William J. Simmons's original, influential essay Notes on Queer Formalism from 2013, offering novel ways of thinking about queer-feminist art outside of the critical-complicit and abstract-representational binaries that keep to haunt gimmicky queer art. It therefore proposes a new kind of queer art writing, one that skirts the limits imposed by normative histories of art and film.
Artists addressed in Queer Formalism: The Render include: Sally Mann, David Lynch, Lars von Trier, Math Bass, Lorna Simpson, Laurie Simmons, Alex Prager, Lana Del Rey, Jessica Lange, and Louise Lawler, amidst others.
Fire Flavor : Selected Essays 1984—2021
by Gary Indiana
2022, English language
Softcover, 228 pages, 14 x 21 cm
Published by Vii Stories Press / New York
$43.00 - In stock -
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"1 of the most important chroniclers of the modern psyche." —The Guardian
The novelist, cultural critic, and indie icon serves up sometimes bitchy, always generous, erudite, and joyful assessments from the last thirty-five years of cut edge film, fine art, and literature.
Whether he's describing Tracy Emin or Warhol, the films of Barbet Schroeder ("Schroeder is well enlightened that life is not a narrative; that nosotros impose grade on the movements of chance, contingency, and impulse....") or the installations of Barbara Kruger ("Kruger compresses the telling exchanges of lived experience that betray how skewed our lives are..."), Indiana is never only describing. His writing is refreshing, erudite, joyful.
Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of intendance and tradition that has nix to exercise with the ivory tower establishment; is unafraid to evangelize the insurrection de grâce when someone needs to say the emperor has no clothes; speaks in the same breath--in the aforementioned discerning, insolent, eloquent style--nearly high art and pop culture. Few writers could go abroad with saying the things Gary Indiana does. And when the writing is this good, it's also political, plus it'due south a riot of fun on the page.
Hither is Gary Indiana on Euro Disney resort park in Marne-la-Valée outside of Paris:
John Berger compares the art of Disney to that of Francis Salary. He says that the same essential horror lurks in both, and that it springs from the viewer's imagining: There is null else. Even as a kid, I understood how unbearable information technology would be to be trapped inside a cartoon frame.
Since 1987, Indiana has published novels, nonfiction, plays, short stories -- all with an unmistakable, sardonic voice embedded in the text ..." —Los Angeles Times
Indivisible (new edition)
by Fanny Howe
2022, English
Softcover, 320 pages, 13.three x 20.iii cm
Published by Semiotext(e) / Los Angeles
$32.00 - In stock -
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The conclusion of a radically philosophical and personal serial of Fanny Howe novels blithe by questions of race, spirituality, childhood, transience, resistance, and poverty.
Outset published by Semiotexte in 2001, Indivisible concludes a radically philosophical and personal series of Fanny Howe novels animated by questions of race, spirituality, childhood, transience, wonder, resistance, and poverty. Depicting the tempestuous multiracial world of artists and activists who lived in working-class Boston during the 1960s, Indivisible begins when its narrator, Henny, locks her husband in a closet so that she might better discuss things with God. On the verge of a religious conversion, Henny attempts to brand peace with the expressionless by telling their stories.
Walking Through Clear Water in a Pool Painted Black : Collected Stories
past Cookie Mueller
2022, English
Softcover, 304 pages, thirteen.iii ten twenty.3 cm
Published by Semiotext(eastward) / Los Angeles
$35.00 - In stock -
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The first collected edition of legendary author, actress, and adventurer Cookie Mueller's stories, featuring the entire contents of her 1990 book Walking through Clear Water in a Pool Painted Blackness, aslope more than two dozen others, some previously unpublished.
Legendary as an secret actress, female charlatan, and East Village raconteur, Cookie Mueller'south kickoff calling was to the written word: I started writing when I was six and have never stopped completely, she in one case confessed. Muellerís 1990 Walking through Clear H2o in a Pool Painted Black, the starting time book of the Semiotext(eastward) Native Agents serial, was the largest collection of stories she compiled during her life. Only information technology presented only a slice of Mueller's prolific work as a writer. This new, landmark volume collects all of Mueller's stories: from the original contents of Clear Water, to boosted stories discovered by Amy Scholder for the posthumous anthology Enquire Dr. Mueller, to selections from Mueller's art and communication columns for Details and the East Hamlet Eye, to still new stories collected and published here for the first time. Olivia Laing's new introduction situates Mueller'due south writing within the context of her life--and our times.
Thank you to contempo documentaries similar Mallory Curley'southward A Cookie Mueller Encyclopedia and Chloé Griffin's oral biography Edgewise, Mueller's life and work have been discovered by a new generation of readers. Walking through Articulate Water in a Pool Painted Black: Collected Stories returns essential source material to these readers, the annal of Mueller'south writing itself. Mueller's many mise en scènes--the Baltimore of John Waters, mail-Stonewall Provincetown, avant-garde Italian republic, 1980s New York, an America enduring Reagan and AIDS--patches together a singular personal history and a primer for others. As Laing writes in her introduction, Collected Stories amounts to a how-to manual for a life ricocheting joyously off the track . . . a live corrective to conformity, conservatism, and cruelty.
Brion Gysin
Permutations
2022, English language
Softcover, 160 pages, 24 x 17 cm
Published past DABA / New York
$39.00 - Out of stock
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The first collection of the Beat mentor'southward long-influential permutation poems—one of the earliest examples of calculator-generated literature
Written between 1958 and 1982, Brion Gysin's permutation poems begin with short phrases or sentences whose elective words are exhaustively rearranged over the course of the text. At commencement, Gysin wrote these poems manually, although after, in collaboration with programmer Ian Sommerville, he would write permutation poems with the assistance of a computer, making them a very early example of computer-generated literature. Some of these works were published in books, while others exist only as sound recordings. Many derive from a 1960 BBC radio commission, "The Permutated Poems of Brion Gysin," in which readings of the texts were recorded, cut upward, modulated and overlapped.
For the beginning time, this drove brings together all published and—where transcribable—unpublished versions of each poem, every bit well as Cutting-Ups Self-Explained, a brusque text by Gysin that contextualizes the work. The poems are organized in chronological club by first publication or offset recording, with further versions of each poem grouped together in chronological guild immediately after the initial version. This arrangement brings distinctions betwixt versions into relief, assuasive readers to explore the playful systematicity that undergirds this remarkable body of work.
Brion Gysin (1916-86) was a multidisciplinary artist, author and poet. Born in Taplow, England, he studied painting at the Sorbonne in Paris and immigrated to New York in 1939. In the 1950s he lived in Tangier, where he first met William S. Burroughs. Gysin collaborated frequently; later on returning to Paris, he developed the cut-up method with Burroughs, and with engineer Ian Sommerville he created the Dreamachine, a kinetic light sculpture. Gysin would get a mentor for generations of artists, musicians and writers, including David Bowie, John Giorno, Keith Haring, Brian Jones and Genesis Breyer P-Orridge, amid others.
Apocalypse Culture
Edited past Adam Parfrey
1990, English language
Softcover, 362 pages, 21.six 10 24 cm
Out of impress title / used / practiced
Published past Feral House / Los Angeles
$40.00 - In stock -
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"Apocalypse Civilization is compulsory reading for all those concerned with the crisis of our times. An boggling drove unlike anything I have ever encountered. These are the last documents of the twentieth century."—J.G. Ballard
2 thousand years have passed since the death of Christ and the world is going mad. Nihilist prophets, born-again pornographers, transcendental schizophrenics and just plain folks are united in their belief in an imminent global catastrophe. What are the forces lurking backside this mass delirium?
APOCALYPSE Civilisation is a startling, absorbing and exhaustive tour through the nether regions of today'south psychotic brainscape.
First published in 1987, APOCALYPSE Civilisation immediately touched a nerve. Alternately excoriated and lauded as "epochal", "the almost important book of the decade," APOCALYPSE Civilisation had begun to articulate what many inwardly sensed — the-fear inspired irrationalism and organized religion, the clash of irreconcilable forces, and the ever-looming specter of fin de race. In its present incarnation for Feral House, APOCALYPSE CULTURE has significantly increased in size, taking on new perspectives on our current crunch, with pertinent revisions of many articles from the original edition.—burb from this expanded and revised 1990 edition.
Practiced-VG re-create with full general light clothing.
A-Z of Record Store Bags: 1940s to 1990s
2022, English
Softcover, 240 pages, 22 x 18 cm
Published by Fuel / London
$59.00 - In stock -
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Jonny Torso and FUEL present I've Got The Music In Me - a publication jubilant the humble tape store bag.
This exhaustive collection of the record store bag provides a unique perspective of record shopping in the Britain over the terminal century, bringing together over 500 incredible bags (some mayhap the only surviving examples) to certificate the fascinating story of British high street tape shopping. Bags from famous chains such as NEMS, Our Price and Virgin (the amazingly rare Roger Dean bags), sit alongside designs from local shops run past eccentric enthusiasts. Packed with stories such as the first Jewish ska retailer, the record sellers who started the premier league, famous staff (David Bowie, Dusty Springfield, Morrissey, etc.) and every bit infamous owners, these anecdotes of mythical vinyl entrepreneurs will entertain and delight.
With vinyl tape sales at their highest ever for decades (outselling CDs in the United states of america), this publication acts as an astonishing insight into the history, civilisation and visual language of record collecting. Following Own Label, Wrappers Delight and Auto Erotica - I've Got The Music In Me is the next book in the series by Jonny Trunk and FUEL, examining disregarded aspects of our collective past.
Foreword by Jon Savage.
Dan Graham (October Files)
Edited by Alex Kitnick
2011, English
Softcover, 232 pages, 15.2 10 23 cm
Published by The MIT Press / Massachusetts
$55.00 - In stock -
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A collection of essays on a key effigy in postminimalist art, with texts spanning thirty years.
Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham, who came of age during the emergence of earth art, minimalism, and conceptualism, has situated his work on the borders between these different strains of gimmicky exercise. Although varying widely in discipline and medium, Graham's artwork and writings display a consistent involvement in spectatorship, public-private relationships, and the synthetic environment. Graham'due south extensive writings on his ain work (collected in Rock My Organized religion and Ii-Way Mirror Power, both published by the MIT Press) have made him, by default, the primary interpreter of his own art. This October Files book provides a counterweight, gathering key texts by critics and theorists that offering alternative accounts of Graham's art. The essays span thirty years and include difficult-to-observe texts from exhibition catalogs and journals. The authors include such distinguished theorists, critics, and artists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall.
Susan Te Kahurangi King
Selected Works 1958 – 1980
2020, English
Softcover (staple-bound), 20 pages, 19 10 xiii cm
Published by Innen Books / Zürich
$28.00 - In stock -
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Susan Te Kahurangi Rex's "Selected Works 1958 – 1980", published by Innen Books, Zürich, in 2020. Offset edition.
Susan Te Kahurangi Male monarch (b. 1951, Te Aroha) is a New Zealand artist self-taught artist whose power to speak declined by the historic period of four, and past the age of viii stopped speaking birthday. From an early age she communicated solely through her fine art. She has methodically created an entire analogous world through extraordinary, surreal, cartoon(ish) drawings using pen, graphite, coloured pencil, crayon and ink. From her childhood drawings, to her notebooks, to her mature work of the 1970s and '80s upwards until the point, sometime in the 1980s, when King stopped drawing. In 2008 King returned to art, moving beyond representation.
Art Povera : Conceptual, Bodily or Impossible Art?
Edited past Germano Celant
1969, English
Softcover, 240 pages, 21 x 22 cm
1st Edition, Out of print title / used / very skillful
Published by Studio Vista / London
$340.00 - In stock -
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Rare start 1969 press of the seminal "Art Povera", the phenomenal and now legendary critical/photographic book by the bang-up Italian art historian, critic and curator Germano Celant (1940—2020) that internationally established the so-called Fine art Povera / Arte Povera movement (pregnant "poor art", coined by Celant in 1967) and published past Studio Vista, London and printed in Italy.
Includes profiles of major artists of the movement, including a curt text followed by pages of full-page photographs for each artist. Artists featured: Walter de Maria, Michelangelo Pisteletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Lawrence Weiner, Luciano Fabro, Bruce Nauman, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra.
"This book does non aim at being an objective and general assay of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the evolution of their daily becoming. This book does not attempt to exist objective since the awareness of objectivity is imitation consciousness. The book, made upwards of photographs and written documents, bases its critical and editorial assumptions on the knowledge that criticism and iconographic documents give limited vision and partial perception of artistic piece of work. The book, when it reproduces the documents of artistic work, refutes the linguistic mediation of photography. The book, even though information technology wants to avert the logic of consumption, is a consumer's item. ... This volume produces a collection of already former cloth. ... In this book there is no need to reflect in gild to seek a unitary and reassuring value, immediately refuted by the the authors themselves, rather there is the necessity to look into information technology for the changes, limits, precariousness and instability of artistic work." — text from Celant's introduction "Stating That."
A must.
Very Good copy, usual tanning.
Arte povera : Storie e protagonisti (Histories and protagonists)
past Germano Celant
1985, English
Softcover (due west. dust jacket), 278 pages, 22 x 24 cm
1st Edition, Out of print title / used / skilful
Published by Electa / Milan
$180.00 - In stock -
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Outset 1985 edition of Arte Povera : Storie e protagonisti by Germano Celant, published by Electa. This first edition was never distributed and, since it was but circulated among those involved in the Arte Povera movement, became a much-sought-later on and inaccessible cult item. This invaluable, comprehensive title collated, for the first time everything written by Germano Celant most the group of artists associated with the movement, for which he himself, in 1967, coined the term Arte Povera (Poor Art). "This book is the product of decades of work washed jointly with others, and of the accompanying exchange of ideas and opinions. Information technology deals with an chance - Arte Povera - that has won a lasting place in "our" history." - Germano Celant.
The volume is a collection of profusely illustrated theoretical texts, all in parallel English language and Italian, focusing on the fine art of the individual artists involved (Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Luciano Fabro, Jannis Kounellis, Mario Merz, Marisa Merz, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, Emilio Prini and Gilberto Zorio), whilst concentrating every bit much on the movement's contingent side as on its fragmentary, contradictory, pluralistic mode of creating fine art. It also provides a comprehensive illustrated chronology and extensive bibliography, making it one of the most essential reference volumes always published on the movement.
Arte Povera was a radical Italian art movement from the late 1960s to 1970s whose artists explored a range of unconventional processes and non traditional 'everyday' materials. Coined by Celant, Arte Povera means literally 'poor art' but the word poor hither refers to the movement'southward signature exploration of a wide range of materials across the traditional ones of oil paint on sheet, bronze, or carved marble. Materials used by the artists included soil, rags, twigs, papier-mâché, woods, iron, plastic, and industrial waste, with which they fabricated installations that were not always understood or immediately accepted. This field of fine art has always been based on a de-effective attitude, which takes into account the many dissimilar kinds of creative expression in relation to the context in which it is created. In using such throwaway materials they as well aimed to challenge and disrupt the values of the commercialised contemporary gallery organization.
Proficient ex-libris copy with moderate associated markings, general edge wear, and some tape markings to the dust jacket, now preserved under mylar wrap.
Ti Shan Hsu
New Geometries, Conscious Objects and OTHER Affair.
1986, English
Softcover (staple-spring with Gaffa tape bind), 16 pages, 23 x 21 cm
Ed. of 500,
1st Edition, Out of print title / used / very proficient
Published by Pat Hearn Gallery / New York
$190.00 - In stock -
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Very rare early on catalogue published on the occasion of Ti Shan Hsu's solo exhibition at the legendary Pat Hearn Gallery, May xvi - June 15, 1986. Published in a express edition of 500 copies with black duct-taped spine (as issued), this wonderful catalogue reproduces a number of Hsu'due south tremendous works equally color plates throughout, punctuated by his own texts printed on vellum newspaper stock.
Since the mid-1980s, Tishan Hsu's (b. 1951, Boston) prescient artistic practise has been probing the cognitive as well as physical effects of transformative technological advances on our lives. Through the utilise of unusual materials, software tools, and innovative fabrication techniques, his enigmatic paintings and sculptures explore and manifest poetic new means to engage and reimagine the human torso. After studying Environmental Design and Architecture at MIT in the 1970s, Hsu rose to prominence during New York'south Eastward Village era with a quick series of exhibitions at the Pat Hearn Gallery and a 1987 show with Leo Castelli. From early Hsu's work began to reflect his "assessment that engineering was becoming an extension of the homo torso," as Julie Belcove writes, which is "a condition he concluded was destined to intensify over fourth dimension. Modular tiles in his sculptures echoed bits of digital information; three-dimensional objects hinted at contraptions withal to come. Paintings evoked estimator monitors just also blood cells or flesh." The body, Hsu came to realize, could no longer be represented the way it had been for centuries. He was seeing the future. An artist-intellectual ahead of his time, Hsu worked quietly for many years, largely disregarded or forgotten by the art earth – until recently.
Very Good copy.
ADN 3
1983, English
Softcover (staple-bound), 22 pages, thirty x 21 cm
1st Edition, Out of print title / used / very practiced
Published by ADN / Milan
$ninety.00 - Out of stock
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Rare re-create of Italian electronic/experimental/industrial fanzine ADN, issue No. iii, published circa 1983. 1 of the great pioneering European experimental music fanzines of the period, this consequence features articles/interviews/discographies/graphics on/with The Nocturnal Emissions, P16.D4, Negativland, Umyu (label), forth with cassette listings for the phenomenal ADN label. Most never seen! Texts all in English.
ADN was an Italian electronic/experimental/industrial label based in Milan, run past Marco Veronesi, Piero Bielli and Alberto Crosta (with Carla Crotti also involved at some indicate). ADN was established in 1983 every bit the commencement Italian fanzine for experimental new music published in English language. The very first issue was chosen "L'Affection del Nipote" which gear up the tendency for all labels as acronyms of ADN. The fanzine published viii issues through to Spring 1986, with the later problems (co-released with "Skeletal Piece of work") including optional sampler cassettes. The booklet and cassette idea carried on with the series of various artist releases called "Out Of Standard". Nearly of their early on releases were ADN Cassettes. For their vinyl releases, post new-wave and industrial music came out on the label 'A Irksome Note', whilst avant-garde and "RiO" Rock In Opposition (left-field experimental rock) releases came out on 'Auf Dem Nil'. There was besides a brusk-lived CD label 'Alma De Nieto' and another name variations. A few 'Auf Dem Null' releases were as well branded "Recommended Records Italia"... Artists included Riccardo Sinigaglia, Pascal Comelade, Die Form, Nu Creative Methods, Cinéma Vérité, Vidéo-Aventures, Doxa Sinistra, Merzbow, D.D.A.A., Reportaż, Nulla Iperreale, Roberto Mazza...
Very Expert copy.
ADN 5
1983, English
Softcover (staple-leap), 24 pages, 30 x 21 cm
1st Edition, Out of impress title / used / very adept
Published by ADN / Milan
$90.00 - Out of stock
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Rare copy of Italian electronic/experimental/industrial fanzine ADN, effect No. 5, published circa 1983. One of the great pioneering European experimental music fanzines of the flow, this issue features articles/interviews/discographies/graphics on/with Pascal Comelade, Elliot Sharp, Soft Verdict, Alain Neffe (Insane Music, Pseudo Code, Human Flesh, Cortex, I Scream, Bene Gesserit), Begnagrad, Ptôse, along with cassette listings for the phenomenal ADN characterization and reviews. Virtually never seen! Texts all in English.
ADN was an Italian electronic/experimental/industrial label based in Milan, run past Marco Veronesi, Piero Bielli and Alberto Crosta (with Carla Crotti too involved at some bespeak). ADN was established in 1983 as the start Italian fanzine for experimental new music published in English language. The very first outcome was called "Fifty'Amore del Nipote" which set the trend for all labels as acronyms of ADN. The fanzine published 8 issues through to Spring 1986, with the later bug (co-released with "Skeletal Work") including optional sampler cassettes. The booklet and cassette idea carried on with the serial of diverse creative person releases called "Out Of Standard". Most of their early releases were ADN Cassettes. For their vinyl releases, mail service new-wave and industrial music came out on the characterization 'A Deadening Annotation', whilst avant-garde and "RiO" Rock In Opposition (left-field experimental rock) releases came out on 'Auf Dem Nil'. There was also a brusk-lived CD label 'Alma De Nieto' and some other name variations. A few 'Auf Dem Goose egg' releases were also branded "Recommended Records Italia"... Artists included Riccardo Sinigaglia, Pascal Comelade, Dice Form, Nu Creative Methods, Cinéma Vérité, Vidéo-Aventures, Doxa Sinistra, Merzbow, D.D.A.A., Reportaż, Nulla Iperreale, Roberto Mazza...
Very Good re-create.
ADN 6
1984, English language
Loose-foliage pages in plastic sleeve, xxx x 21 cm
1st Edition, Out of print title / used / very good
Published past ADN / Milan
$xc.00 - In stock -
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Rare copy of Italian electronic/experimental/industrial fanzine ADN, issue No. 6, published circa 1984. One of the great pioneering European experimental music fanzines of the menses, this issue comes unbound as loose-leaf xeroxed pages in original consequence plastic bag, and features articles/interviews/discographies/graphics on/with Art Zoyd, Bourbonese Qualk, Dice Form & Nulla Iperreale, Esplendor Geométrico, New 7th Music, Smegma, Steve Feigenbaum, along with cassette listings for the phenomenal ADN label. Virtually never seen! Texts all in English.
ADN was an Italian electronic/experimental/industrial label based in Milan, run by Marco Veronesi, Piero Bielli and Alberto Crosta (with Carla Crotti likewise involved at some betoken). ADN was established in 1983 as the first Italian fanzine for experimental new music published in English. The very first issue was called "L'Amore del Nipote" which set up the trend for all labels equally acronyms of ADN. The fanzine published 8 issues through to Jump 1986, with the later issues (co-released with "Skeletal Piece of work") including optional sampler cassettes. The booklet and cassette idea carried on with the series of diverse creative person releases called "Out Of Standard". Most of their early releases were ADN Cassettes. For their vinyl releases, mail new-wave and industrial music came out on the label 'A Dull Note', whilst advanced and "RiO" Rock In Opposition (left-field experimental rock) releases came out on 'Auf Dem Nil'. There was also a short-lived CD label 'Alma De Nieto' and some other name variations. A few 'Auf Dem Nil' releases were as well branded "Recommended Records Italian republic"... Artists included Riccardo Sinigaglia, Pascal Comelade, Die Form, Nu Creative Methods, Cinéma Vérité, Vidéo-Aventures, Doxa Sinistra, Merzbow, D.D.A.A., Reportaż, Nulla Iperreale, Roberto Mazza...
Very Good in original bag westward. sticker.
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